Jodaeiye Nader az Simin (2011)

A Separation / Nader and Simin, a Separation / Separation / جدایی نادر از سیمین

Jodaeiye Nader az Simin (2011) - poster

Raiting: 8,3 /10

Genre: Drama

Director: Asghar Farhadi

Stars: Leila Hatami and Shahab Hosseini

Country: Iran / France

Release date: 15 February 2011

Length: 123 minutes

"Jodaeiye Nader az Simin", known in English as "A Separation", is a gripping Iranian drama directed by Asghar Farhadi that was released in 2011. The film offers a profound exploration of the complexities of family, justice, and the human condition. It begins with a middle-class couple, Nader and Simin, who are in the midst of a marital dispute. Simin wishes to leave Iran with their daughter Termeh, seeking a better life abroad, while Nader refuses to emigrate because he needs to care for his father who has Alzheimer's disease. Their disagreement leads Simin to file for divorce and move back to her parents' home, but the divorce is not granted, and the separation begins to take a toll on everyone involved.

In Simin's absence, Nader hires Razieh, a deeply religious woman from a poorer area, to take care of his father. However, the situation quickly becomes complicated due to Razieh's own family issues and the demanding nature of the job. One day, Nader comes home to find his father alone, tied to the bed, and near death. When Razieh returns, an altercation occurs that results in her being pushed out of the house by Nader. The following day, Razieh is hospitalized due to a miscarriage, and Nader is accused of causing the miscarriage and charged with murder.

The film then delves into the moral and legal repercussions of the incident, as both families are entangled in a legal battle that reflects the social and class divisions in Iranian society. As the story unfolds, the truth becomes increasingly elusive, with each character's perspective adding layers to the narrative. The film challenges the audience to consider the limitations of judgment and the nature of truth, as each character wrestles with their principles, guilt, and the consequences of their actions.

Throughout the ordeal, the relationship between Nader and his daughter Termeh is put to the test, as she is caught between her parents' conflicting worlds. Termeh's loyalty to her father is a central theme, and her struggle to understand the situation and make sense of adult complexities is portrayed with heartbreaking authenticity. The film culminates in a powerful climax that leaves the characters, and the audience, contemplating the profound impact of choices and the nature of sacrifice.

"A Separation" is not just a family drama but a commentary on the Iranian justice system and the cultural and religious dynamics that influence the characters' lives. Farhadi's direction is meticulous, using a realistic and emotionally charged narrative to draw viewers into the characters' lives. The film's strength lies in its ability to present an intimate family drama that resonates on a universal level, making it a compelling and thought-provoking cinematic experience.

Top cast - Jodaeiye Nader az Simin (2011)

Babak Karimi

Babak Karimi


Ali-Asghar Shahbazi

Ali-Asghar Shahbazi

Nader's Father

Shirin Yazdanbakhsh

Shirin Yazdanbakhsh

Simin's Mother

Kimia Hosseini

Kimia Hosseini


Merila Zarei

Merila Zarei

Miss Ghahraii

Trailer - Jodaeiye Nader az Simin (2011)

"Jodaeiye Nader az Simin", internationally recognized as "A Separation", is a masterfully crafted film by Iranian director Asghar Farhadi that delves into the intricate layers of human relationships and societal expectations. The film, which won the Academy Award for Best Foreign Language Film in 2012, is a testament to Farhadi's ability to weave complex narratives that are both deeply personal and universally relatable.

The film opens with a couple, Nader and Simin, engaged in a tense discussion in front of a judge. Simin desires to leave Iran in search of a better future for their daughter, while Nader insists on staying to care for his ailing father. This opening scene sets the stage for a story that is as much about a family divided as it is about the broader cultural and moral dilemmas they face. The performances by the lead actors, Peyman Moaadi and Leila Hatami, are nothing short of phenomenal, capturing the emotional depth and nuance of their characters' predicament.

As the narrative progresses, the film introduces Razieh, played by Sareh Bayat, whose life becomes intertwined with Nader's due to her role as caregiver for his father. The plot thickens when an incident leads to a miscarriage and subsequent legal battle that challenges each character's sense of justice, truth, and ethical boundaries. Farhadi's direction ensures that the audience is never quite sure where their sympathies should lie, as the complexities of the situation are gradually revealed.

What makes "A Separation" particularly striking is its refusal to provide easy answers or to paint its characters as heroes or villains. Instead, it presents a mosaic of moral ambiguity, where every action and decision is shaded with layers of cultural context and personal motivation. The film's script is meticulously crafted, with dialogue that feels authentic and a plot that unfolds with the precision of a thriller, keeping the audience engaged and invested in the outcome.

The cinematography and use of setting also contribute to the film's immersive atmosphere, capturing the bustling life of Tehran and the intimate spaces of the family home. Farhadi's use of close-ups and handheld camera work creates an intense, almost claustrophobic experience that pulls viewers into the heart of the conflict.

In conclusion, "A Separation" is a powerful and poignant film that reflects the best of world cinema. It is a movie that challenges viewers to confront their own preconceptions about right and wrong, and to consider the weight of personal responsibility in a world fraught with social and legal constraints. Asghar Farhadi has created not just a film but a profound social commentary that continues to resonate with audiences around the globe, solidifying its place as a modern classic in the film industry.